As long as I can remember I've made cards that deviate from the norm of cute and traditional motifs. Instead, I attempt to create entertaining and unique cards that have a pun more or less easy to understand. My early works had easy ones such as Santa crashing into a house through a wall, getting stuck in a chimney or evading vigilant children with ninja-like maneuvers. (Even though, here in Finland Santa comes to see families and children in person on Christmas night. However, our FIN-US-family exercise the US style of an invisible Santa that stops by when kids are sleeping. The American version was usually depicted in my cards. Only as a teenager did I finally understand that our family was the odd one.)
My early cards were scarcely copied, so if you own one of those rarities, hang on to them well. They might be worth something eventually (I know I have a few left somewhere, but unfortunately I couldn't find them from my stacks of paper for you to see here). The older I got, the more far-fetched my puns became. The funny thing is that so far these very unorthodox cards are the only ones I've ever put on sale for the general public to purchase. And guess what, they were a great success! In fact that year I barely had enough left to send to my friends and relatives. However, for the last three years, I couldn't organize time for making more, which saddens me much. Last year, I did sketch a black-and-white dinosaur-themed card and sent a few photocopies of it to my closest friends, but I still count last year a cardless one.
This year, I finally mustered my willpower and motivated myself to complete the task by promising a whole lot of people that I'm going to send them a card. Since such promises must not be broken, or hence may my soul be ever forsaken, I had but one option: finish the bloody job. However, I underestimated the time that my style of perfectionist illustrating consumes and I lost the chance to print a batch at a proper printing press. So, I just printed a set with an ordinary copy machine on ordinary copy paper and cut-and-pasted the images on ordinary cardboard. I planned on having three different cards, including last year's dino-card, which I now completed with colors. Yet, coloring just the two and preparing them for dispatch took me over a week and, alas, I ran out of time. Thus, now I have one outlined black-and-white image waiting for next year.
I wish all you delightful holidays and a marvelous New Year! Hurrah!
2014
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| My greatest Christmas card so far, inspired by Stanley Kubrick's The Shining, which I happened to see in late November. The idea seemed perfect from the very beginning. The longer I thought about the theme, the more hilariously appropriate it felt. For example, the color red, you can wish someone "a shining Christmas", the line "all work, no play", and of course Jack Nicholson. Santa Claus is after all also called Saint Nick. Thus the name of this card is "Saint Nicholson". And I could keep on going... |
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| "Merry Monsters". For completing my 2013 dinosaur-card I wanted to go wild with colors. I used them to define the three different characters. The Triceratops was to be beautiful and vivid in the manner of a peacock. The T-Rex a bit more Jurassic Parkish so that it would seem more out-of-place and yet in all its fearfulness utterly adorable. For the Raptor I had only little time to spare, so I opted for green and blue, a color scheme not yet used and somewhat similar to a common lizard. The bright colors also helped with enhancing the jester-like characteristic. |
2013
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| "Merry Monsters (B&W)". The incomplete version which I started to draw way, way, way, way too late. I ran out of time completely. I think I printed only six of these (using the uni library's comp). After drawing weird Christmas cards, I wanted to do just a nice, good-willing, cute card which is still very much me. So as a huge dino-fan (when I was a kid, I could recite over a hundred different dino-species) this idea hit me instantly. The beauty would be in the idea of the two most iconic dinosaur enemies the Triceratops and the T-Rex being buddy-buddy (maybe even a Romeo-Juliet-thing). The Raptor came in for a comical effect (and to fill some empty space). Even though the idea is that dinos are trading presents and wearing xmas hats, I still wanted to go for a realistic appearance, which in my opinion makes it even more adorable than a comical appearance. It also satisfies my desire to not go too cute and cuddly. |
2010
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| "Action!". 2010 was the year for my weirdest cards. I just wanted to do things... differently. This one generates from my love for movies and especially making movies. I had some years earlier drawn a card with Rudolph threatening to eat a present if Santa doesn't stop for a break. When I thought about a cinematic scene I could depict, it seemed perfect. I also thought it'd be cool to show people a different perspective into movie making. This "monitor perspective" is based on one seen in a clip from the making of documentaries of Peter Jackson's King Kong. I even wrote a small portion of the screenplay for the scene on the backside of the card. Initially, it felt like a good idea but afterwards I noticed that there remained only little space to write any greetings. |
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| "Divine Substitute". The very basic idea is simple. Santa's sick and needs a substitute. The harder pun to get is that asking Ares for red clothes refers to his position as the God of War and the possibility that he probably has clothes drenched in blood. Zeus does not think of this, so he'd use the red clothes with out realizing that the color comes from blood. Dark, dark humor, people. The elements in the front of the picture are drawn by hand and colored with pencils. The background is painted in photoshop. I'm really proud of the colors, especially since I knew only a little color theory. |
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| The Finnish version. |
2009
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| "Steampunk Santa". It's not hard to spot the obvious references to Hayao Miyazaki's animations in this card, especially Porco Rosso. Flying and airplanes are very close to my heart, so I transformed Rudolph into an airplane of my own design and combined some sci-fi appearances with old school plane designs for a steampunk-feeling. It's industrial and a bit cold (just like Christmas is these days), but also exciting and surprising. I also wanted a real sense of speed, so I made Santa fly through a snow storm. This is probably my favorite card right after the Nicholson one.The vehicle is drawn by hand and colored with pencils. The background, lights and the shadowing of the trailer are done in photoshop. |
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| The Finnish version. The greeting works much better in this language than in English. |
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| "Rudolph, the abominable reindeer". Another monster-themed card, which criticizes modern life and its emphasizing on numbers, neglecting everything else. This one is drawn by hand and colored with pencils. Only text is added in photoshop. I should have modified the colors stronger a bit, since compared to all my other images, this one feel awfully flat. |
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| The same in Finnish, which once again works a little better. |
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| As for last is probably my most un-Christmasy Christmas card. Technically the only thing that refers to the season is the mistletoe. Also DreamWorks will probably sue me for using a character similar to theirs. Anyway, it's a comical take on the Titanic-disaster (which happened in April, I know) in which the iceberg and ship are turned into anthropomorphic characters. Naturally, the ship is a lady. The iceberg is a man literally cool as ice. The collision is not an evil thing, it's just the kiss between two lovers who cannot have each other than for one short but sensational moment. So tragic (there's the love story you should have done, James Cameron!). Once again most of the image is hand-drawn and colored with pencils. The ship was originally black like the real Titanic, but I re-colored it in photoshop to a light blue, because it would have disappeared into the background and made it hard to spot the facial details. The ship also seems more joyful and appealing like this than in pitch-black paint. |
